Works

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Showing posts with label body. Show all posts
Showing posts with label body. Show all posts

Wednesday, 3 November 2021

Horse (Sirens)


Horse (Sirens)- a short film 

Synopsis

A found fragment of Alla Nazimove dancing in Salome (1922) was the starting point of this collaboration with dancer Ino Riga. HORSE (WHISKEY) looks at the act of storytelling, performance and recalled experience. Ostensibly a pas de deux, it narrates a navigation of the self, the fragmentation of memory and time travel from past and present.










Friday, 28 May 2021

Isadora


 

No verified record of dancer Isadora Duncan exists - only her words. 
An unverified fragment of film of a woman dancing in front of the sea is presented
as Isadora dancing on the Parthenon. 

Isadora is an exploration of time and place.
Found film shows a fictional place presented as the Parthenon, a random temple sets the scene : a blurring of reality. In the film the narrator's voice changes gender as a chorus using words from the diary of Isadora: her memory describes an experience of what Freud later calls Derealisation, recalled during his own transcendent experience visiting the Parthenon.  Transfixed by the power of the image and the disconnect from reality, her words fragile from the time of the grand tour where the European took the place as their own.

Isadora was the jury's selection for the 2021 Mayfair Art Weekend Showreel and is currently part of the exhibition Wanderlust/All passports organised by Artefact in the Heinrich Schleiman Melas mansion, 

Athens 17th October - 17th November 2024



Friday, 5 February 2021

The Europeans (shipwreck) Series Work on paper 2017-2019



                                            Head study 1 The Europeans
Ink on Somerset 300gsm
50cm x 70 cm
 Head study 2 The Europeans
Ink on Somerset 300gsm
50cm x 70 cm





Head study 2 The Europeans
Ink on Somerset 300gsm
50cm x 70 cm




 
Head study 2 The Europeans
Ink on Somerset 300gsm
50cm x 70 cm





study The europeans 
silkscreen and mixed media on paper
80cm x 60cm
A0 Somerset 300gsm





study field of dreamers
monotype and oil on paper 
70 x 50 cm



study



The Swimmer
Monotype/ mixed media on paper 
  84cm x 118cm





Detail 






Out at sea
 Monotype/mixed media on paper 
  84cm x 118c





Out at sea II
Monotype/ mixed media on paper   
84cm x 118cm 

The Swimmer 
Monotype/ mixed media on paper 
  84cm x 118cm





The Swimmer - detail
Monotype/  mixed media on pape
 84cm x 118cm

Wednesday, 25 January 2012

Early Paintings



The Space Within 1990, Oil on canvas, 240cm x 165cm



The Journey, 1990, Oil on canvas, 240cm x 177cm


The Veil 1990, Oil on canvas, 240cm x 201cm

Detail The Veil
The Revelation 1990, Oil on canvas, 240cm x 162cm
Detail The Revelation

Driving 1990, Oil on Canvas, 240cm x 207cm

Detail Driving

Monday, 1 June 2009

Prints


Ariadne Unique Etching on Velin Arche 300gsm 150cm x 45cm


Detail


Sebastian Unique Etching on Velin Arch 150cm x 45cm


Detail


Chirico Unique Etching on Velin Arch 150cm x 45cm


Detail



The Lovers Unique Etching on Velin Arch 300gsm 150cm x 45cm


Detail


Figure I Unique Etching on Velin Arch 150cm x 45cm



Detail



Figure II Unique Etching on Velin Arch 150cm x 45cm







Figure III Unique Etching on Velin Arch 150cm x 45cm


Detail


Woman I Unique Stone Lithograph on Khadi 180cm x 50cm


Detail

Woman II Unique Stone Lithograph on Indian handmade paper

Friday, 22 May 2009

Lost Pictures 2009 Drawings on metal and mixed media

Work statementLost PicturesThe drawings and paintings represent a trace, a mark of an event that is past and present - appearing and disappearing. Through the use of found photographic material, painting referencing or literally covered with the mark of the hand I look at the space in between these two realities, the mark made in the present, and the photographic.
Investigating how representation reproduces the other as the same, I am looking for the blind spot in the visual real that might reveal a way to redesign representational real. I am also looking at memory, using images accidentally found that hold a personal resonance for me, and in this way offer a glimpse to recapture something lost.
The act of the hand re-connects with the anonymity of the found image. The existence of the two together create this state that interests me, a fragility of being and non-being. The trace of something left from before against a non-place.













Gateway
Graphite on cut and folded Aluminium
Log Cabin Graphite on cut & folded AluminiumLog Cabin II Graphite on cut & folded Aluminium


Biography

The human body occupies the main site of my visual practice. The body as source of experience and an exploration of it’s vulnerability. The transformation - and translation - of materiality and desire.

As a woman I see painting as a response - a possibility to describe another narrative, a prospect of change. Sometimes I explore the illusions of the body depicted in history key moments in social periods. Through the process of making I reimagine to connect to the present or future, the re-envisioning of self and society.

As Derrida writes Pregnances

“In a way, a woman says of her own as a woman: “I have no history,” or “this version of history is not mine but yours… and I’m showing it to you, representing it to you after the fact, with other eyes, a woman’s eyes.”

I play with the idea of fluidity in paint, medium, and forms - of something always moving: subjectivity in the material. My recent work using three dimensional structures is an exploration of the mutable- a line that circumnavigates space. The figures intertwine and combine, always moving, never static and the sculptures are designed to change and reconfigure.

The paint and processes change as do the supports - working in film, sculpture print and a variety of investigative approaches, I explore what and how an idea in the medium can be visible .I try to find the materiality of the invisible


Harriet Hedden studied painting at Norwich School of Art from 1986-1989, and following a year as Artist in Residence in Bedford, went for two years to Freiburg, Germany as a guest of Prof. Peter Dreher, at the Staatliche Akademie für Bildenen Kunst where she also taught at the Albert Ludwig Universität.

On her return to London she won an AHRB scholarship for two years to study at the Slade School of Fine Art where she completed her MA in Fine Art in She currently teaches at Chelsea College of Art & Design , London.

Her work is held in British Museum, Strang Print Collection UCL, Deutschbank, the Tassos Printmaking Archive Greece, Bedford Museum as well as private collections


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